Lighter, smaller, sharper The GoPro Hero3 is 25
percent lighter than the previous-generation Hero 2's camera. It's also
30 percent smaller. However, all of that reduction manifests in reduced
thickness with a new depth of only 20mm. The height and width (42mm by
60mm) are unchanged to maintain compatibility with GoPro's line of
BacPac add-on modules and rear doors for the clear plastic shell.
On
the front panel, you'll find the new f/2.8, six-element aspherical lens
that is supposed to offer twice the image sharpness and reduce the
amount of barrel distortion at the extremes of its 170-degree field of
view. However, the characteristic fish-eye look of the video and photos
captured by the Hero3 hasn't been totally removed, as it's sort of a
hallmark of the action-camera style, adding a bit of drama to scenery as
it speeds by.
The Hero3 uses the same improved LCD of the Hero 2,
with its monochromatic dot-matrix display. I found the screen to be
easy enough to navigate using the GoPro's combination mode/power button
to change modes and the shutter release to make selections. However,
there is a bit of a learning curve. Expect to spend a bit of time on
your first outing just looping through the menus and getting used to
where the options are. I also found the LCD to be a bit difficult to
read in direct sunlight. The
Hero3 (right) is the smallest GoPro camera ever, edging out the
previous Hero 2 (middle) and the old-school Digital Hero 5 (left).
Antuan Goodwin/CNET
The
front panel is also home to two indicator lights: one red to indicate
that the Hero is recording and one blue that blinks to indicate that
Wi-Fi is active. There are also smaller red indicator lights on the top,
back, and bottom panels that are visible from most angles.
On the
back panel, you'll find the removable cover for the 1,050mAh lithium
ion battery. Swappable batteries are a good idea if you plan on being
out shooting all day. Next to the battery door, you'll find the
proprietary BacPac connection where the accessory BacPacs, such as the
LCD and Battery BacPacs, connect.
On the right side of the unit
(when viewed from the front), you'll find the Wi-Fi button that
activates and deactivates the wireless connectivity with the GoPro app
for smartphones or the Wi-Fi remote (which is included with the Hero3
Black Edition, but not the Silver or White editions). The details of how
the Wi-Fi remote works have already been detailed as part of our review
of the GoPro WiFi BacPac. However, this built-in Wi-Fi functionality
renders the WiFi BacPac itself obsolete for this new generation --
although you'll still need it if you have a few older Hero 2s kicking
around.
On the left side, behind a removable plastic panel, you'll
find the Hero3's greatly simplified bank of connections. There's a
Micro-HDMI output, shrunken down from the Mini-HDMI of the previous
generation, and a microSD card slot, shrunken down from a full-size SD
card slot for space savings. The Hero3 doesn't come with a microSD card,
but supports cards with capacities up to 64GB. Finally, there's a
Mini-USB port, which makes a return appearance, that is used for
charging and syncing. However, with the aid of optional adapter cables,
this Mini-USB port can also double as a 3.5 mm microphone input or an
analog video output. I like to see GoPro doing more with less space
here, but this connection scheme pretty much locks you into only using
GoPro's first-party adapters, which may not be too big a deal for some
users. The Hero3 consolidates the previous generation's inputs and outputs down to two ports and a card slot.
Antuan Goodwin/CNET
On
either side of the Hero3, you'll find a small pinhole microphone for
audio recording alongside your video. GoPro claims that its wind
reduction algorithms have been improved for this generation. Like the
previous generation, the camera comes with a swappable Skeleton back
panel for its clear plastic case that can be used to further improve
audio quality at speeds below 100 mph at the expense of waterproofing.
Rough and tumble shell
The Hero3's clear plastic shell is as much a part of the GoPro system
as the camera itself and has received an update as well to match the
smaller Hero3 chassis. Now thinner than before, the Hero3's shell also
offers three waterproof buttons that pass your inputs through to the
power/mode select button, the shutter release, and the new Wi-Fi button.
The
back panel is still removable to allow replacement, for example, with
the aforementioned Skeleton door or deeper doors that accommodate the
BacPac add-ons. The door also features a new two-stage lock that that
requires a tab to be pushed to the side before the locking mechanism can
be lifted and rotated out of place. This adds a bit of extra security,
keeping the camera sealed in its case, but I never really had any issues
with the old, single-stage lock, so this new, sometimes incredibly
difficult-to-open lock seems a bit unnecessary. Users who often submerge
their GoPro cameras might not think so.
Finally, the Hero3's new
shell features a new, flat lens that is supposed to work better with the
new lens' reduced distortion and offer better underwater image quality.
Like every generation of Hero shell before it, the Hero3's clear shell
is completely user-serviceable with the ability to replace any component
from the lens to the door to the body itself independently. It also
retains compatibility with GoPro's entire catalog of mounting options.
Build quality & handling
The plastic housing, like the previous version, is robust enough to be knocked, dropped, drenched and thrown about.
There's
an extra lock on the top hinge which can be fiddly with cold or gloved
hands, but will guard against accidental leverage of the hinge, although
we did find the hinge assembly coming off from time to time.
The
mount attachment is the same as previous models so you can reuse your
existing mounts without buying new ones, or take advantage of the many
Third Party options out there such as the K-Edge GO BIG mounts.
The
only things about the camera that have got bigger are the operational
buttons for the menu and shutter activation: an improvement over the
previous model, as it makes operating the camera inside and outside the
housing easier. The
menu system is unchanged although, as with previous HERO cameras, you
can find yourself pressing the same button over and over to cycle
through the menus when you've clicked past the option you wanted to
change.
Performance
The metering functions cope very well across a range of light conditions and rapidly changing light conditions.
The
sensor and compression improvements, in terms of quality over the
HERO2, are obvious when looking at 100% crops of identical photos with a
reduction in artefacts.
There is a tiny improvement in resolution and chromatic aberration is still present, but less so than with previous models.
The
white balance, which can be adjusted in nerd-friendly Kelvin, isn't
always right in auto mode, returning magenta-tinged blues at times, but
nothing that a little post production couldn't fix.
One
marked improvement is the ability to retain details in highlights. On
the previous model bright areas were easily blown out, but there's a lot
more detail now.
There is a sacrifice to be made in
detail in dark areas, which we found when shooting into low autumnal
light. But then this camera comes from California, where they love the
sun.
LCD touchscreen performance
The
optional touchscreen is a great addition, if only for navigating the
menus. Whilst only 5cm across the diagonal it eliminates the guess work
from lining up shots, and provides an opportunity to check back footage
quickly and easily.
The unit doesn't have its own power
supply so it is a drain on your camera's battery. There's no setting to
change the brightness and the screen isn't visible in bright sunlight.
Why they chose to use white graphics on light grey backgrounds is a
puzzler, when more contrasted icons would make for easier viewing.
It can be a little slow to respond to presses in video playback.
When shooting underwater, the touch functions won't work so you'll be relying on the regular buttons for menu selection.
Compared to the competition, such as the £100 ($150) cheaper
Sony HDR-AS15, which already has Wi-Fi built in for live streaming,
identical frame rates at 1080p and 720p plus a stereo microphone and
speaker compared to the GoPro's mono and no speaker; and the £160 ($250)
cheaper Drift HD which has a built in colour screen and more buttons
for menu navigation, is the GoPro worth the extra money?
Yes.
Especially if you're a professional videographer, because of the wide range of resolutions and frame rates it offers.
And yes again, if you want a small, light camera that is capable across a wide range of environmental conditions.
If
you're not that worried about weight or size and are looking for a
cheaper alternative, then the Sony offers a great picture for less money
and does pretty much the same job. Depending
where you want to use it, the GoPro already has a mature range of
mounting accessories. They're still a little flimsy and overpriced, and
difficult to attach with cold or gloved hands, but it does mean that you
can attach the camera to pretty much anything that moves.
With
the HERO3 the main takeaway in terms of image quality was the improved
detail in highlighted areas, but when shooting into the light you can
lose a lot of information in the dark areas of the image.
The
menu system is still a frustration too, but the LCD touchscreen negated
this annoyance and we hope the free GoPro App, which becomes compatible
in December for the Black Edition, will do the same job as the
touchscreen, as well as making framing of shots and shooting a more
controlled affair.
In sum The $399.99 flagship GoPro Hero3 Black
Edition goes head-to-head and toe-to-toe with the top of line Contour+2,
which retails for the same price. Both cameras offer great HD video
quality and both cameras ship with waterproof, ruggedized plastic shells
to protect your investment. Both feature built-in wireless connectivity
with smartphone apps: GoPro uses Wi-Fi; Contour uses Bluetooth. The
Contour+2 wins a round with its ability to record and embed GPS
elevation and speed data into its videos and the fact that it ships with
video editing software, while the GoPro offers neither. I've also noted
on many occasions that the Contour is easier for novices to use, with
its slide and record control scheme. The
GoPro Hero3 Black Edition (pictured) is the best sports camera yet, but
the Silver and White editions are great value alternatives.
Antuan Goodwin/CNET
However,
the Hero3's smaller chassis, on-device display and controls, and
superior resolutions and available frame rates make it the obvious
winner in a spec battle. If you're a semi-professional or prosumer
sports camera enthusiast, taking an extra day to figure out the Hero3's
more complex control scheme is totally worth the greater amount of
on-device flexibility of shooting modes.
However, at about four
Benjamins, the Hero3 Black Edition may be too much camera for your
average consumer who only occasionally hits the slopes or is only
uploading to YouTube or Facebook. For those who don't need 4K video or
want to hold off on buying the Wi-Fi remote, the $299.99 Silver Edition
and $199.99 White Edition meet the right price points, but come into
competition with the newly announced ContourRoam 2.
The GoodThe GoPro Hero3
is smaller, lighter, and features built-in Wi-Fi connectivity. The
Black Edition offers a number of ultra-high-resolution capture modes and
high frame rates for standard HD resolutions; burst speeds for still
photos has been greatly improved.
The BadGoPro's
control scheme has a longer learning curve than the simpler slide-n-go
setup of the Contour cameras. Only 15fps on 4K video renders this
selling point mostly moot for action videography.
The Bottom LineThe
GoPro Hero3 Silver and White editions are strong contenders in the
sports camera market, but the faster, more powerful Black Edition is
head and shoulders the best sports camera on the market today.